Since the release of these fonts most typefaces in the Scangraphic Type Collection appear in two versions. And, of course, it gets on well with its sharper sibling, Sinter. A full range of diacritics provides support for over 130 languages. Tabular figures duplex across all weights, case-sensitive forms keep punctuation in line, and an array of alternative glyphs let designers vary its mood at will. This redrawn and expanded version of the best-selling text/display family now boasts nine weights, ranging from the taut, elegant Thin to the massive Ultra, each with a matching italic. A combination of open counters, unequivocal curves, and ruler-straight vertical and horizontal strokes suit it admirably for onscreen display. Its branches are angled in homage to OCR-A. Based on a rounded rectangle, its geometry has been subtly refined for smoother reading. Aldo Novarese knew it in 1962 when he designed Eurostile. Hermann Zapf knew it in 1952 when he designed Melior. Georg Trump knew it in 1930 when he designed City.
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